From the Vault

This pre/power system from the boutique UK marque benefits from its designer’s attention to detail and tube know-how, says Dave Berriman

Every so often, you stumble across something a bit special. Well, ‘stumble’ is perhaps not quite the right word, but I did hear a rather captivating sound coming from the GATE room at one of the UK’s smaller audio shows a year or two ago, and then again at the Heathrow-based Hi-Fi News Show last year.

True story: a knowledgeable audiophile arrives at my listening room in mid-November. Pink Triangle’s Integral integrated amplifier is driving a set of Wharfedale Diamond 8.1s, its badge covered with tape. I state to this collector of some repute with a memory spanning 35 years, ‘You will never guess who made this amplifier. Never’.

Much gnashing of teeth and wringing of corporate cheque books later, and the B&W Group has become the latest recipient of Philips’ cherished Red Book licence: an exorbitant magic wand that bequeaths the rights to design and assemble own-brand CD players, rather than simply modify an existing box. Incidentally, I hear from trusted sources that manufacturers who have traditionally opted for this cheaper halfway-house will soon be stomped on from a great height. B&W can therefore sleep soundly at night as two variants of a new BitStream player are launched under its ‘Aura’ brandname.

Blame Stanley Kubrick. Until 2001 burst onto our cinema screens, the lay conception of outer space had settled down as a mixture of flying saucers and little green men. Why green? Why little? But this was irretrievably displaced by an alien ex machina presence that set the style for, yes, the shape of electrostatic loudspeakers to come.

My patience was put to the test with the Naim CDS. As I unpacked the two units and coupled them together I experienced a flush of old 'brand loyalty'. Since the days of the original 12S preamp and NAP160 power amp, my meetings with company founder Julian Vereker had been cordial and I had spent several pleasurable years with my NAP250. My frustration came with the waiting time for the player to warm up before listening began.

It was back in the March 1996 issue of Hi-Fi News that I took my first look at the £6250 Stratosphere ST1 – a turntable that proved out of this world in sound quality as well as name. Now John Jeffries of Reference International (the name behind both the Strat and Lumley) has delivered a complete system including the £4500 LM2 loudspeakers.

Given that few people will defend tube/transistor hybrids, how do you go about satisfying the valve-oriented consumer who wants his or her amp to have everything under one cage? And without simply adding to the buttonry? Italian company GRAAF (Gruppo Richerche Audio Alta Fidelta) has as its slogan 'II Suono Fatto A Mano', which I think translates into 'Hand-Made Sound'. This is about as cool a way of saying 'Lunatic purism' as I can imagine.