From the Vault

Krell has determined that digital audio should form part of its future, and has created a separately financed division called Krell Digital Inc. The MD-1 digital transport was shown last year together with the SBP-64X processor/decoder – an amazing combination at a price which left the industry breathless, being around £15,000 the pair.

An understated revolution in loudspeaker design has been taking place in Kent. KEF's Technical Director Laurie Fincham has put together a team of engineers who have been quietly but thoroughly examining the fundamentals of moving-coil, box loudspeaker behaviour, spinning off a regular series of products, starting with the original R105 nearly a decade ago.

There are two piles of magazines, some 150cm tall, sitting in my lounge. They consist mainly of hi-fi titles that I can't read until they're 'out of date'. Why? Because I don't want to be influenced by the reviews, and I don't always know whether or not I'll be reviewing a component I've just seen slammed or praised. Thus it was that I tried to avoid whispers about the Halcro amplifiers from Australia. Even so, I kept hearing about these 'amazing amps' from all and sundry.

Abrand new company, Samuel Johnson was founded by a group of enthusiasts, most of whom had met through their work with a Scottish-based manufacturer of control systems for industrial applications and who discovered further common ground in a consuming interest in hi-fi.

In late 1995 an idea began to take shape at KEF Audio. The company had already produced some fair-sized 'reference' models, culminating in the well-regarded Reference Four. But even this powerful and accomplished design lacked the necessary weight and presence to make a major impact at the highest quality level of world loudspeaker sales. So research began to define the key elements of what was intended to be a much larger speaker system, a definitive engineering expression of the company's knowledge.

Contemplating the Project T-1 power amplifiers from Marantz, I realise that nothing in hi-fi should surprise us any more. If, in 1990, someone had told you that, by 1997, the hi-fi community would be clamouring for single-ended triodes and horn systems, that Quad and McIntosh and Marantz would reissue their valve classics, that Mobile Fidelity would open a new LP pressing plant and that Krell and Audio Research would introduce integrated amps, you'd have had that someone committed.

Marantz is noted in the UK for its decade-long success in producing a chain of fine CD players at moderate prices. If sometimes contradictory on other matters, the audio press were almost uniform in singing their praises. But the success Marantz has enjoyed in Japan is less well known. By all accounts, high-quality audio remains very healthy there and Marantz engineer Ken Ishiwata has finely honed his skills in creating a range of high-end CD players that have achieved record sales in each directed market niche.