Peter Quantrill

Peter Quantrill  |  Nov 21, 2025  |  Published: Dec 01, 2025  |  0 comments

This month we review: Staples, Kožená; Devieilhe Degou; Soloists, LPO & CHs/Gardner; and Anna Geniushene

Peter Quantrill  |  Nov 20, 2025  |  Published: Dec 01, 2025  |  0 comments

Peter Quantrill celebrates the work of a conductor whose crusade on behalf of ‘pure tone’ divided opinion but also changed the way we listen to music

Peter Quantrill  |  Nov 06, 2025  |  Published: Nov 01, 2025  |  0 comments

His 17th century English madrigal defines the genre, says Peter Quantrill, but Orlando Gibbons’ output is astonishingly diverse for a composer who died before turning 40

Peter Quantrill  |  Nov 06, 2025  |  Published: Nov 01, 2025  |  0 comments

This month we review: BBC PO/Andrew Davis, Martyn Brabbins; Julia Lezhneva, Alexander Melnikov; Signum Quartett; and Beauty Farm

Peter Quantrill  |  Oct 29, 2025  |  Published: Nov 01, 2025  |  0 comments

The bizarre idea that classical music needs ‘saving’ won’t go away, but Peter Quantrill argues that this long-standing form of music is doing just fine. Just ask the Sinfonia of London...

Peter Quantrill  |  Oct 12, 2025  |  0 comments

This month we review: Les Arts Florissants/William Christie, Hallé/Thomas Adès, Ensemble Modern, New College Choir, Oxford/Quinney

Peter Quantrill  |  Oct 12, 2025  |  Published: Oct 01, 2025  |  0 comments

Peter Quantrill pays tribute to the memory of a musician celebrated for his insight, and equally underrated for his emotional connection to the classics

Peter Quantrill  |  Oct 03, 2025  |  Published: Oct 01, 2025  |  0 comments

From Puccini one year to Andrew Lloyd Webber the next... Peter Quantrill encounters a rock-opera classic in an unexpected corner of Europe and gets his classical privilege ‘checked’

Peter Quantrill  |  Sep 14, 2025  |  Published: Sep 01, 2025  |  0 comments

This month we review: Sheku Kanneh-Mason, Rachel Podger, Mariam Batsashvili, Estonian Nat SO/Neeme Järvi

Peter Quantrill  |  Sep 14, 2025  |  Published: Sep 01, 2025  |  0 comments

Elgar poured heart and soul into the Second, says Peter Quantrill, plus the technique to produce a creative summation that brings out the best in its interpreters on record

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