His 17th century English madrigal defines the genre, says Peter Quantrill, but Orlando Gibbons’ output is astonishingly diverse for a composer who died before turning 40
The bizarre idea that classical music needs ‘saving’ won’t go away, but Peter Quantrill argues that this long-standing form of music is doing just fine. Just ask the Sinfonia of London...
Peter Quantrill pays tribute to the memory of a musician celebrated for his insight, and equally underrated for his emotional connection to the classics
From Puccini one year to Andrew Lloyd Webber the next... Peter Quantrill encounters a rock-opera classic in an unexpected corner of Europe and gets his classical privilege ‘checked’
Elgar poured heart and soul into the Second, says Peter Quantrill, plus the technique to produce a creative summation that brings out the best in its interpreters on record