From the Vault

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Ken Kessler  |  Feb 14, 2023  |  First Published: Jul 01, 2003
hfnvintageThese purist valve amps from France are still something special, reckons Ken Kessler, but first it's time to put your expectations to one side...

Here beginneth a lesson in audio prejudices – mine and yours. Jadis has created a truly 'high-end' pre/power combination of so narrow a focus that we as audiophiles have to search deep into our hearts before even considering reading about them, let alone owning them. In other words, go no further if you refuse to accept that a manufacturer can (and maybe even should) impose restrictive behavioural practices upon the end user. Forget universality, market savvy commercial appeal, user-friendliness or post-remote control era ergonomics – the JPS8 is aimed at out-of-the-closet masochists.

Martin Colloms  |  Sep 17, 2021  |  First Published: May 01, 1999
hfnvintageMartin Colloms hears KEF's no-holds-barred flagship speaker, the R109

In late 1995 an idea began to take shape at KEF Audio. The company had already produced some fair-sized 'reference' models, culminating in the well-regarded Reference Four. But even this powerful and accomplished design lacked the necessary weight and presence to make a major impact at the highest quality level of world loudspeaker sales. So research began to define the key elements of what was intended to be a much larger speaker system, a definitive engineering expression of the company's knowledge.

Ken Kessler  |  Jul 29, 2024
Apogee follows the Stage with the hybrid Centaurus Major and Minor but has it made its ribbon technology more accessible

Feeling a bit like the boy who cried ‘Wolf!’, I still can’t help but regard this new range of speakers from Apogee as ‘ribbons for the masses’. But unlike the last models that inspired this sort of reaction – the Stages [p129]and Calipers – the new Centaurs really do make Apogees accessible to a wide range of consumers. And not only by virtue of their cost.

Martin Colloms  |  Nov 18, 2022  |  First Published: Aug 01, 1995
hfnvintageThe company is famed for its giant-killing budget CD players, but what can it do for £3000? Martin Colloms hears one of its high-end machines

Marantz is noted in the UK for its decade-long success in producing a chain of fine CD players at moderate prices. If sometimes contradictory on other matters, the audio press were almost uniform in singing their praises. But the success Marantz has enjoyed in Japan is less well known. By all accounts, high-quality audio remains very healthy there and Marantz engineer Ken Ishiwata has finely honed his skills in creating a range of high-end CD players that have achieved record sales in each directed market niche.

Ken Kessler  |  Mar 23, 2021  |  First Published: Jan 01, 1997
hfnvintageClassic tubes meet modern tech in the £30,000 Project T-1 monoblocks. Is this Marantz's ultimate amplifier, asks an awestruck Ken Kessler

Contemplating the Project T-1 power amplifiers from Marantz, I realise that nothing in hi-fi should surprise us any more. If, in 1990, someone had told you that, by 1997, the hi-fi community would be clamouring for single-ended triodes and horn systems, that Quad and McIntosh and Marantz would reissue their valve classics, that Mobile Fidelity would open a new LP pressing plant and that Krell and Audio Research would introduce integrated amps, you'd have had that someone committed.

Martin Colloms  |  Jul 30, 2019  |  First Published: Mar 01, 1990
Martin Colloms hears the ultimate amplifier system from one of audio's elite names: the No26/No20.5 pre/power duo and No25 phono stage

Since acquiring the Mark Levinson Audio Systems company five years ago, Madrigal Labs has pursued an evolving research programme, generating improved circuits and product designs. The result is that current MLAS products now have an importance comparable with the original brand's landmark designs.

Martin Colloms  |  Apr 12, 2024  |  First Published: Jul 01, 1993
hfnvintageMiniature components claiming high-end performance... Martin Colloms hears French company Micromega's Microdrive, Variodac and Microamp

Sitting in a neat stack on the desk in front of me as I write, the subjects of this review remind me of those pretty Toshiba Aurex units of yesteryear [HFN Apr '16]. There are three Micromega components in all: the Microdrive CD transport (an improbably small device, this); the Variodac, comprising a Bitstream digital-to-analogue converter with remote power volume control and an additional line input; and finally, the Microamp, a neat-looking stereo power amplifier block.

Martin Colloms  |  Aug 06, 2021  |  First Published: Mar 01, 1982
hfnvintageAs the company continues to develop its expertise in the electronics field, Martin Colloms takes stock of a strikingly-styled pre/power amp

While first established and based in the UK, Mission also now has a design facility and manufacturing plant in Canada. It's here that its latest amplifiers were developed by Henry Azima, the brother of Farad Azima who founded Mission Electronics some years ago.

Christopher Breunig  |  May 26, 2020  |  First Published: Sep 01, 1989
hfnvintageAfter Mozart, Debussy. But what of the pianists' long term plans? A psychology of recording by Christopher Breunig

Afavourable acoustic, and music Mitsuko Uchida has been playing since she was 13 years old – but even at The Maltings, Snape, there were unforeseen snags when it came to recording Debussy's 12 Études.

Martin Colloms  |  Jul 07, 2023  |  First Published: Apr 01, 1993
hfnvintageIts components may work in all-Naim systems, but in this review of the company's latest pre/power Martin Colloms looks at the alternatives too

Neither I nor the Editor could remember when HFN last reviewed a Naim amplifier so, to redress the balance, we are covering the company's latest pre and power duo here. Priced at £1880, the NAC 82 carries the full remote control first seen on the top-of-the range NAC 52 preamp. An optional extra board (around £120) provides analogue disc input (MC or MM).

Martin Colloms  |  Jan 25, 2022
hfnvintageMartin Colloms hears a power amp setting the pace for the 21st century

The development of this completely new power amplifier has been a major undertaking for Naim. Up to now, its designs have been variants on the late Julian Vereker's founding concept, which led to the first NAP 250 stereo chassis some 25 years ago. Even now, the company's biggest current model, the NAP 135, is a monoblock variant of the '250, with more generous power supplies allocated to the separated channels.

Ken Kessler  |  Sep 16, 2022  |  First Published: Dec 01, 2001
hfnvintageLooks like valves, smells like valves, uses transistors – Ken Kessler hears 100W of single-ended MOSFET power from the pen of Tim de Paravicini

Statement amps are nothing new to Tim de Paravicini, his original EAR 509s and 549s hardly being minor projects. Neither were the first amps to bear the Yoshino names, a pair of designs showing that single-ended topology could be applied to both valves and transistors. But the latter, while Tim was able to voice it to ape the tubes, ran just as hot as the valves, and proved just as inefficient as all single-ended designs are known to be, so why bother? Damned if I know, for Tim's latest is a huge mutha of a single-ended amp... and it's solid-state.

Christopher Breunig  |  Oct 10, 2019  |  First Published: Nov 01, 1985
Christopher Breunig auditions the Well-Tempered Arm

What could be more apt than the UK launch of the Well-Tempered Arm at the end of Bach's tercentenary year? Ken Kessler brought you the first picture of this iconoclastic tonearm as part of his April '85 CES report and even before then, he had inveigled California-based designer William Firebaugh into letting us have a review sample.

Ken Kessler  |  Jun 20, 2023  |  First Published: Nov 01, 2000
hfnvintageKen Kessler brings you an exclusive subjective review of a legend reborn: the Quad ll-forty mono power amplifiers and QC-twentyfour preamp

Goodness me! Two Quad scoops in one season! OK, so it's not like waking up with Kim Basinger, but I am fully aware of the privilege. When I kicked off the Quad 989 loudspeaker review [HFN Jul '00]

Martin Colloms  |  Jan 27, 2021  |  First Published: Jun 01, 1978
hfnvintageMartin Colloms hears four top-quality open-spool decks

The last year or so has seen the emergence of a new generation of high-quality open-reel tape decks, of which four are investigated here. As the price span ranges from £500-£600 for the Sony and Revox models to £850 for the Technics and £950 for the basic Pioneer assembly, these units are not strictly comparable, although their relative performances are nonetheless interesting.

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