LATEST ADDITIONS

John Atkinson  |  Dec 24, 2021  |  First Published: Aug 01, 1983
hfnvintageJohn Atkinson heats up his listening room with a Class A amp from Krell

It used to be said that the only true way to learn was to find out something for yourself, then it will stick when all book-learning has long since been shed. This was drummed into me when I was working on the development of LEDs (green ones, to be precise).

Review: Adam Smith,  |  Dec 23, 2021
hfncommendedLaunched as part of a series including a CD transport and two amplifiers – one with onboard streaming – the Attessa turntable completes Roksan's most stylish offering

There are a few announcements guaranteed to make an audio fan sit up and take notice, one being the unveiling of a new turntable from Roksan. After all, the company burst onto the scene in 1985 with the Xerxes – a deck that is still going strong 36 years later in '20 Plus' guise [HFN Dec '11]. However, the new deck in question is the £995 Attessa turntable, and it forms part of a completely new Roksan range.

Review: Tim Jarman,  |  Dec 21, 2021
hfnvintageThis machine marked a step-change in Sony's assault on the early CD player market as the company ditched its own DAC in favour of a third-party solution. How will it sound?

The components in Sony's ES series represented what the company regarded as the most advanced designs available. They were top of the range, and aimed at those who were prepared to pay a little extra to obtain the best possible performance.

Review: Mark Craven,  |  Dec 20, 2021
hfnoutstandingFlagship of the ElectroMotion series, this hybrid electrostatic promises a taste of the range-topping Masterpiece loudspeakers at a more wallet-friendly price

The hi-fi market is replete with loudspeakers that look a little 'different', but few are as eye-catching as an electrostatic design where music appears to be coming almost from thin air. MartinLogan, the Kansas-based company established in the early 1980s, is one of the technology's best-known advocates. It began life with a 'static model, and even though its range has expanded since into conventional box-type speaker territory, its mantra remains 'wherever possible, we go electrostatic'.

Steve Sutherland  |  Dec 17, 2021
Beginning life in East London, SARM's name is synonymous with artists keen to use the latest tech to push the potential of sound to excite. Steve Sutherland has the story...

The Boy couldn't get out of bed. The phone rang. And rang. And rang again. The boy turned over, tugged the pillow down hard over his head, and fell back asleep. The phone rang. And rang. And rang again. Eventually the ringing roused him. He'd had a heavy night and was feeling rough. He answered the phone. The voice on the other end, Irish, cursed him.

Review: James Parker,  |  Dec 16, 2021
hfnoutstandingThis London-based company may be a relative latecomer to the all-in-one streaming system market, but its debut models have style a-plenty – and performance to match

Given Cambridge Audio's track record in digital audio, it is perhaps a little surprising it's taken the company so long to enter the network systems arena. It was an early developer of add-on DACs in 1994 [see HFN Jun '21] and has been making streaming components for a good while, even going to the lengths of developing its own network audio hardware. The Cambridge catalogue currently caters for 'computer audio' enthusiasts with the entry-level £169 DacMagic 100 right up to the £4499 Edge NQ network preamp.

Peter Quantrill  |  Dec 14, 2021
Verdi holds the key to understanding the work of the old-school maestro, 80 this year. Peter Quantrill surveys a tumultuous career and finely honed legacy on record

I remember how my heart skipped a beat one hot afternoon in 1989 when, browsing through the stacks of a secondhand LP emporium in London, I pulled out Riccardo Muti's recording of Tchaikovsky's 'Little Russian' Symphony. It was a noisy Italian EMI pressing – 'La Voce del Padrone' – and there was a huge scratch in the middle of Romeo and Juliet on Side A.

Review: Andrew Everard,  |  Dec 13, 2021
hfnoutstandingThe latest additions to Chord Electronics' range don't immediately give up the secrets of what they do – but dig deeper, and you'll find they're intriguing digital components

There are times when one might think Kent-based Chord Electronics is being wilfully abstruse in its selection of model designations. After all, its flagship DAC is called DAVE [HFN Apr '16], and its pocket-sized DAC/player combination is the Mojo [HFN Jan '16] and Poly. Then there's the portable Hugo DAC/headphone amp, now in both Hugo 2 [HFN Aug '18] and less-portable Hugo TT (for 'tabletop') versions [HFN Dec '15], to which the company has now added two extra units, named 2go and 2yu.

Johnny Sharp  |  Dec 10, 2021
With like-minded producer Nigel Godrich onboard, the Brit band's experimental side came to the fore on their platinum-selling third album, released in 1997. And if you listen closely, you might just hear the sounds of ghosts wailing in the Somerset night...

Difficult second album? Been there, done that, sold the T-shirts. Now, about that blissfully easy third album...

Review: David Price,  |  Dec 09, 2021
hfncommendedThe artisan of high-end tube audio, Jadis, has imbued more than a little Gallic flair into this 'entry level' integrated. Serve with sensitive speakers for a taste of magic...

Until the mid-1990s, valve amplifiers were typically persona non grata. The '80s had been all about solid-state – from tweaky low-powered integrateds to mega powerful monster power amps – and tubes didn't so much as get a look in. By the turn of the millennium however, the pendulum had swung back and tube amps were reinvented as exclusive objects of luxury and desire, famed for their sweet and satisfying sound. How times change!

Pages

X