Audiophile jewellery for the home’ is how Chord Electronics’ founder and CEO John Franks describes the company’s ‘Brilliant’ finish option available for its less costly – but still reassuringly expensive – Choral Series components. It’s an apt description sure enough, pretty much all of the brand’s products exhibiting a quality of fit and finish that is nothing short of immaculate. Nevertheless to describe them as somewhat ‘macho’ would be a considerable understatement. As our own Ken Kessler said in his description of Chord’s original RED Reference player [HFN Jan ’08], ‘… it oozes Chord-ness – that over-engineered, Terminator-meets-Rolex look’.
But that would take millions of tubes!’ said a puzzled high-end distributor back in 1986, on first hearing that an American company had launched a valve CD player. He’d have been right, if anyone had really envisaged replacing all the player’s integrated circuits with glowing bottles.
It turned out, of course, that California Audio Labs had just added a tube analogue output stage, with gentle passive filtering, to an otherwise conventional player. The CAL Tempest was the first of more than few.
Last year, an amusing VPI newsletter listed three important events of 1978. Coca-Cola reached China, and the Grateful Dead played at the Pyramids, ‘seeking perfect sound and immortality’. Finally, ‘VPI Industries, Inc, started its first year in business. ’ And 30 years on, VPI is still family-owned, building turntables in its small factory in New Jersey.
Very few western audiophiles speak or read the language, but there are a couple of Japanese pictograms familiar to all. They have appeared on every Koetsu cartridge since the 1970s, and they always tell you that you’re looking at one of the hi-fi world’s most enduring objects of desire.
When the original Koetsu MC1 reached the UK market in 1980, it was already a cult product in the USA and Japan. Here it cost about three times as much as any other top-of-the-range moving-coil available, but it quickly gained fervent devotees.
When Scott Walker famously sang ‘My Ship Is Coming In’ he could have been describing taking delivery of a pair of Focal’s £110,000 Grande Utopia EMs, surely one of the finest dynamic loudspeakers known to humankind. Standing over 2m tall and weighing 260kg (each!), the four-way ‘Grande EM’ with its electromagnetic 16in woofer and user-adjustable ‘Focus Time’ cabinet construction is a statement product that challenges the envelope of speaker performance. Privileged indeed are the audiophiles with adequately large listening rooms in which to accommodate them and deep enough pockets to afford them.
Focal is France’s largest and most successful speaker manufacturer, producing several series of hi-fi models ranging from affordable to, well, the price of a Bentley in the case of the aforementioned flagship.
Oh to live in a trendy warehouse conversion overlooking the Thames. Imagine the acres of glass, the polished floors and the designer furniture with the Habitat labels peeled off. One’s loudspeakers would need to offer equally stunning visual splendour, exude an air of bespoke affluence and leave your friends (probably called Tarquin and Jemima) green with envy. Clearly you would need Jamo’s sumptuous R 909s or if your City bonus has been a little credit crunched this year, perhaps the smaller but equally lush R 907s reviewed here.
These new Mission 792s certainly have kerb appeal, or maybe that should be curve appeal. With their contoured sides, wrap-around grilles and sculpted front, no one could accuse them of not standing out from the crowd – even if their looks are sure to divide opinion sharply. The shiny black finish is actually genuine piano lacquer, with seven coats applied to create a truly deep and lustrous gloss. This approach is both labour and time intensive, as each coating must be dried for 24 hours before it is rubbed down by hand and re-sprayed.
‘Business as usual’ marks life at Audio Research under Quadrivio, its new, Italian owners. The American-as-root-beer virtues that exemplify the products remain; banish any notions that we’ll see ARC amps made with staves of curvy walnut. The new 120W/ch VS115 is pure Yankee ARC all the way, though one now needs to turn to Russia for 6550s.
Advancing from the VS110 by adding balanced inputs, the VS115 retains the layout of its predecessor: open architecture and an anodized top plate with every aperture clearly labelled for each of the eight matched 6550 output tubes and the quartet of 6H30 gain and cathode follower valves.
It’s a fact that McIntosh gear has never been hugely popular this side of the Atlantic as its bold, retro styling appeals only to a minority of European consumers today. If you’re trying to integrate a high quality music system discreetly into a family-friendly living room it’s unlikely you’ll be shopping for a McIntosh. Which is something of a preamble to make the point that McIntosh’s latest MCD301 CD player is every bit a ‘big Mac’, sporting the marque’s traditional livery and looking as ‘macho’ as ever. It’s as American as a Hummer or a Harley alright.
Convergence between national markets is fueling the development of new, one-size-fits-all AV products at an unprecedented pace, often reducing shelf life to a few short months. New BD players are a case in point. Such is the pace of technology, and the scramble to patch both HDMI and Profile standards, that no sooner had we completed our review of Panasonic’s DMP-BD30 Blu-ray player than its replacement, the DMP-BD50, was announced. So one review was shelved and another immediately instigated.
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