Definitely smarter than your average charity album, this one has been produced by the veteran pianist to benefit the Southern Californian hospital where he received bone transplant surgery a few years back, spending his recovery time in the hospital auditorium composing the pieces here. OK, so all very worthy, but this is also a great album, both in the ease and fluidity of the playing and above all in the superb sound quality on offer. For anyone thinking that dynamics are all about the punch of a rock track or the Sturm und Drang of a big orchestra, the way this set captures the power, light and shade of Winston’s piano will be quite an eye-opener. From the tinkling ‘Carousel 1’, opening the album, through to the infectious ‘Requited Love’, this is a masterclass in vibrant, enchanting piano recording.
Launched in the late '70s as part of a new wave of shoebox-sized systems from Japan, this elegant deck packed plenty of groundbreaking tech. How does it perform today?
It wasn't until the 1970s that the LP reached its heyday. By then, most albums were stereo and the equipment needed to play them was widely available. In 1975, Mike Oldfield's Tubular Bells hit the high watermark for vinyl sales, confirming the format's dominance. At the time, most people still only had 'record players' – all-in-one turntables, amplifiers and speakers – but this was the peak of the decade's hi-fi boom, and people were scrambling to get their hands on proper, grown-up, stereo systems.
A new name in turntables from Serbia and an equally new arm from Timestep in the UK make for a very stylish combination. But do they sound as good as they look?
It's not every day one comes across a turntable named after a film director but the Soulines Kubrick DCX really has been christened in honour of Stanley Kubrick. Soulines is no stranger to this naming practice, its other models being the Elgar and Satie (composers), Dostoyevsky (novelist) and Hermes (Greek god). Designer Igor Gligorov says he drew inspiration for the look of the £2995 Kubrick from the spinning, double-wheeled Space Station V depicted in the film director's movie 2001: A Space Odyssey and that the name naturally followed.
With a more compact and elegant design, plus both wired and wireless connectivity, iFi Audio’s new top-of-the-range portable DAC/headphone amp seems to have it all
The iFi Audio range of portable DACs and headphone amps has been one of the main challengers to the popular Chord Mojo [HFN Jan ’16], with its first-generation nano iDSD [HFN Dec ’14] picking up an EISA Award back in 2014. The company recently updated its range with the entry-level nano iDSD Black Label [HFN Apr ’18], which offers a highly competitive audio upgrade for just £199. However, it’s this new xDSD model that’s setting the standard for the company’s latest range of products, with a more streamlined and portable design, improved connectivity, and a £399 price tag that pits it right up against the Mojo.
A reversal of digital direction marks out this hi-tech integrated amp from the Masters Series, so can NAD's innovative thinking make the M32 stand out from the crowd?
Just in case you can't work out what the £3499 NAD M32 actually is – straight from the box only a volume control sets it apart from the company's similarly styled M22 v2 power amp – the front panel tells you, at least when powered up, that this is a 'Direct Digital DAC/Amplifier'. Of course, even powering it up may be a challenge for those for whom 'RTFM' is a sign of weakness. After a bit of stabbing of the NAD logo, which glows amber in standby, suggesting it might do something, they'll probably eventually alight on the little touch pad top and centre above the display. Brush this and the amp gets ready to do its stuff, at which point the amber surround on the logo turns white and you're in business.
With a coincident driver array and interport-coupled cavity bass, meet the company’s most radical floorstander in years
Out with the old and in with the new. ELAC is a German loudspeaker company of quite some repute and a great many years’ standing. Yet major changes have been afoot at the company, with its new VP of Engineering, Andrew Jones, indelibly stamping himself on the brand’s products. A former KEF man – there in what were arguably the company’s harvest years with Laurie Fincham, in the late 1980s – he went on to put Pioneer’s luxury brand TAD on the map with some great soundinghigh-end loudspeakers [HFN Jan ’15].
Inspired by its own VPA amplifier, but with the intent to drive the ultimate high-end systems in large rooms, Nagra set to work designing its 'Statement' monoblocks
Look at the photos: the Nagra HD AMP's slim, vertical layout will remind fans immediately of the company's first power monoblock amplifier, the VPA. This vertical stance is not all that common – remember Halcro? – while the small footprint it affords makes a vertical model instantly appealing for those who value floor space. Nagra's new, top-of-the-range unit, however, is purely a solid-state device which – profile aside – is the antithesis of the all-valve VPA, which was rated at 50W in 'Pure Class A'.
And then there were three: Neat's little Iota range is all grown up with the arrival of the Xplorer model
One of the best sounds at Bristol's Sound & Vision Show [HFN Apr '18] came not from a gazillion-pound set-up, but the latest arrivals from Neat Acoustics, driven by modest amplification, in a small room that just made you want to stay and listen some more. The Iota Xplorers are the new model in a range that began with the tiny original Iotas some seven years ago, and while they draw on the same principles, the newcomers are very decidedly grown-up despite standing just 780mm tall on their polished conical spikes.
Following a succession of top Audio-Technica headphones that were variations on a familiar theme, this latest flagship open-back model rings some significant changes
Audio-Technica currently offers a bewildering 22 headphone models to its European customers in the hi-fi category alone, and goodness knows what exotica there may be which never escapes Japan. Prices range from £30 at the bottom end to £1990 at the top, that latter tag dangling from this new model, the ATH-ADX5000, but if you thought you knew what to expect from A-T’s most expensive headphones, it may surprise you a little.