This month we review: Fuge, Williams, Singapore SO/Venzago, Freiburg Baroque/Von Der Goltz, Lied Haga, Apekisheva and Weser-Renaissance Bremen/Manfred Cordes.
This month we review and test releases from: Sebastian Rochford/Kit Downes, iril Heide-Steen, Cappella Romana, Alex. Lingas, Josh Nelson and Mull Historical Society.
Italian brand Volumio is responsible not just for a series of network-attached digital players, but also an open-source OS and bespoke app. The Rivo (stream) is its 'bridge'
Launched in 2022, the Rivo is the middle model in a trio of new streaming devices from Florence-based Volumio, and this digital-only streamer, together with the second-generation Primo streaming DAC and the Integro networked amplifier, concludes an unlikely journey for the Italian start-up.
Detailed mechanical and component upgrades to B&W's flagship 801 D4 unmask the speaker's full potential
We've been here before: just over a year and a half ago [HFN Nov '21] we pitched the newly arrived 801 D4 loudspeaker from Bowers & Wilkins against the 800 D3, its previous flagship, and played 'spot the differences' between two designs half a dozen years apart. At the time, we also commented on the changes at the company since the D3 models were launched in 2015, not least the acquisition of the Worthing-based manufacturer by Silicon Valley start-up Eva Automation, then by Sound United, the parent brand of Denon, Marantz and others.
At last, an output transformerless tube amplifier that needn't play second fiddle to transistors, says Ken Kessler, as he hears the GM 200
Given that few people will defend tube/transistor hybrids, how do you go about satisfying the valve-oriented consumer who wants his or her amp to have everything under one cage? And without simply adding to the buttonry? Italian company GRAAF (Gruppo Richerche Audio Alta Fidelta) has as its slogan 'II Suono Fatto A Mano', which I think translates into 'Hand-Made Sound'. This is about as cool a way of saying 'Lunatic purism' as I can imagine.
It may have been bulky with no fewer than ten batteries housed in its brittle case, but this portable player had an ace up its sleeve – its price. How will it shape up today?
When enthusiasts see a product from Crown it's perhaps natural to assume it has come from the American amplifier manufacturer of that same name. Yet this compact CD player from 1987, launched to bring the cost of portable players down to a more affordable level, bears the branding of another company called Crown – the Crown Radio Corporation of Japan.