Famed for its Vox Olympian model, Living Voice's new R80 is built to bring more than a taste of the flagship
Drop in on Derbyshire-based speaker company Living Voice at any hi-fi show, and it's hard not to be mesmerised by its Vox Olympian flagships. With styling somewhere between the brass section of an orchestra of several centuries ago, and a steam-powered Victorian imagination of a Dalek from Doctor Who, these £200,000+ models – £435,000 with the optional Vox Elysian subwoofers – are a riot of horns, tubes and 'trumpets'. Even in a high-end arena not known for its understated looks, they stand out. Moreover, once experienced, they are never forgotten.
Britpop, Britart and gangsta grooves... Steve Sutherland hears the 180g reissue of a collection of slick 'n' snappy tunes used as the soundtrack to a hit '90s UK crime caper
We've just cleared customs at JFK and the six of us have piled into a stretched limo laid on by a mate who's in New York working with The Spice Girls. Karen, the limo driver, takes us straight to a club none of us will ever know the name of. It's one of those exclusive establishments with a frontage resembling a hole in the wall. No signage or anything as gauche as that.
The second phase of Naim's 'New Classics' launch brings a new streamer, a preamp and monoblock power amps, all in redesigned slender casework. Are they true 'classics'?
At times of late, it seems Salisbury's Naim Audio is wilfully courting controversy. It's been causing ripples with the brand's faithful fans ever since it launched its all-in-one Mu-so systems and second-generation Uniti products. It wasn't that these arrivals were on a mission to make hi-fi simpler for all, eschewing the tweakery and 'black magic' once suggested as a prerequisite for realising its true potential – no, what broke the usually calm surface was the fact the Naim logo, for decades lit in green, had turned white. Cue Naim aficionados fanning themselves like Edwardian grandes dames with a fit of the vapours.
This German institution offers a vast catalogue, including the Reference-inspired Vento range, topped by the 100
Canton is not only Germany's largest loudspeaker manufacturer, it might also be one of the most prolific speaker builders in the world. Yet within an extensive range that includes everything from on-wall and in-ceiling speakers to soundbars and subwoofers, its Vento series has long been a main 'pillar' of the brand, in production for nearly two decades. And now, as part of a recent refresh of the Canton catalogue overseen by technical director Frank Göbl, it's been comprehensively upgraded.
This month we review: Cleveland Orchestra/Welser-Möst, Iceland SO/Ollikainen, Helsinki Chamb Ch/Schweckendiek and Elizabeth Atherton, Jess Dandy, Peter Rose, BBC PO/Storgards.
This month we review and test releases from: Simon Callaghan/Sinfonieorchester St Gallen, Gianluigi Trovesi & Stefano Montanari, Justin Kauflin Trio, Morten Georg Gismervik and Karnataka.