The 1970 album by the lads from Ladbroke Grove was edited from 'live in the studio' takes. Steve Sutherland listens to a 180g vinyl reissue of their space rock debut
Let us not concern ourselves with debating the greatest album ever made. Or the greatest single, for that matter. Because, let's face it, chances are we won't reach any kind of consensus and most likely we'll be here all day arguing about it.
The flagship of KEF's new R-series combines the 12th generation of Uni-Q with 'aluminium skinned' woofers
Inspired by KEF's flagship Reference range, its recently updated and more affordable R series was heralded by
the standmount R3 [HFN Dec '18] – a speaker that caused sufficient stir here at HFN that we were keen to explore what its tallest floorstander, the R11, had to offer. And here it is, selling for a surprisingly modest £3999 a pair, and looking impressive in a choice of three finishes – black gloss, white gloss or walnut.
This month we review and test releases from: Los Angeles Philharmonic/Gustavo Dudamel, Archi Di Santa Cecilia/Luigi Piovano, Merje Kägu Ensemble, Cuarteto Casals and Christian Balvig 6-Tet
The French speaker company has upped its game with this de-luxe closed-back design – perhaps aimed to make a 'mocha-ry' of the competition? Let's see how well it sounds
Hot on the heels of the Elegia [HFN Mar '19] – the first closed-back model in Focal's revamped, post-Spirit headphone range [HFN Dec '15] that launched in 2016 with the open-back Utopia [HFN Feb '17] – comes the second closed-back design, the £2799 Stellia. These two flagship models, both featuring beryllium diaphragms, effectively bookend the range, their less costly siblings being based around the same M-cone drive unit concept but with a less exotic aluminium-magnesium diaphragm.
He was an idealistic figure, founding the West-Eastern Divan Orchestra and even working to improve the Steinway grand. Christopher Breunig looks at his career
Six years ago no-one would have dreamt that the most recommendable recordings of the two Elgar Symphonies would come from Stockholm and Berlin. The second pair, with the Staatskapelle under Daniel Barenboim, reflected a renewed interest in music introduced to the aspiring young musician by Sir John Barbirolli back in the early 1970s.
With the option of a high-quality headphone stage, the new entry-level dCS network DAC marks a walk on the wild side for the Huntingdon company. Can it succeed?
By way of celebrating its 30th anniversary, dCS launched the limited edition Vivaldi One streaming DAC/SACD player [HFN Feb '18]. It was a present to itself, and some of the company's most well-heeled customers. Now, however, dCS's gaze has turned from past to future as it debuts its new £11,999 Bartók streaming DAC/headphone amplifier. The non-headphone version represents a saving of £2000.
The Special Edition version of these big active ATCs is not exactly a great beauty, but its sound is highly revealing
Well they're not exactly what you'd call pretty… The imposing ATC floorstanders you see here may be a 'Special Edition' model, selling for just over £36,000 in this active version, but in the piano black and nickel/gold inlay finish of the review pair they have a look best described as 'purposeful'.
Parallel tracking, optical position sensing and all in a slick package no larger than an LP sleeve. It dazzled in its day, but how does this '70s direct-drive deck sound now?
There is an argument which says that to recover maximum information from any recording the playback system should be as similar as possible to the arrangement with which it was made. For example, a tape deck identical to the one used in the studio should replay the original master tapes with the highest achievable accuracy.
A development of the earlier M4U 2, this new design adds Bluetooth and internal battery charging while listening, via micro USB. How do the improvements stack up?
Although it received a lukewarm review in these pages [HFN Dec '13], the M4U 2 – predecessor to the M4U 8 we're looking at here and still available – proved to be a success for PSB, garnering plaudits and awards along the way. The M4U 8 looks very similar and it would be easy to suppose that it's just an M4U 2 with wireless capability in the form of Bluetooth and NFC (near-field communication) bolted on. In fact it's a bit more than that, principally because its onboard DSP capability allows it, in active mode, to deliver a more precise adherence to PSB's RoomFeel target frequency response.
This month we review and test releases from: Thomas Søndergård/BBC Now, Johan Versk, Lars Danielsson & Paolo Fresu, Sir Roland Hanna and Emma Johnson & Friends