Hi-Fi News Staff

Hi-Fi News Staff  |  Dec 22, 2014  |  0 comments
When the BC III was launched in 1973, Spendor’s ads described it as ‘An extension and refinement of theBC I and BC II’, while Thomas Heinitz, doyen of hi-fi consultants in those days, could not resist using the headline‘Hey, big Spendor’. The BC III was rooted in Spencer Hughes’ work at the BBC: he was part of the legendary BBC research team, working under both D E L Shorter and H D Harwood. It had an 8in driver with 40mm voice-coil, working in its own sealed chamber as a midrange unit while the 12in bass unit was reflex-loaded by a carefully designed port. The crossover point was 700Hz.
Hi-Fi News Staff  |  Dec 22, 2014  |  0 comments
A masterpiece of stylish understatement, the flagship Balance 2 uses Brinkmann’s Sinus motor and belt-drive system as a way to update the earlier Balance model. The plinth is CNC-machined from aluminium and supports both arm bases plus the bearing; it sits on three spiked feet adjustable for levelling. The bearing is made of hardened stainless steel and rotates in sintered brass bushings, but it’s unusual in that the assembly is heated by a MOSFET device in order to ensure the bearing operates at a steady temperature. The 90mm platter is machined from a block of aluminium while a polished crystal glass mat is recessed into its top surface.
Hi-Fi News Staff  |  Dec 22, 2014  |  0 comments
While the massive Statement continues as Clearaudio’s very top model, below it in the hierarchy comes this spectacular and impressive new flagship for the main Innovation Series. It is built up on Clearaudio’s familiar, elegant, three-lobed chassis members, each constructed as a sandwich, with a core of Panzerholz (an ‘armour wood’) between two sheets of aluminium. The Master Innovation is in fact built as two separate units with the proprietary multi-platter arrangement facilitating Clearaudio’s magnetic contactless drive system. The upper section is the turntable proper, with a 70mm-thick acrylic platter atop a 15mm stainless steel base platter.
Hi-Fi News Staff  |  Dec 22, 2014  |  0 comments
Furutech’s Alpha Design Lab range includes cables, headphones and earphones, a portable headphone amplifier and stylish system equivalents of the ADL X1 here. This appears to be a portable miniature music centre, offering USB and iDevice functionality, plus a built-in rechargeable battery giving around five hours of operation. Six top-mounted LEDs display sampling frequency, and there’s a front fascia volume control – which sadly proved just a little too easy to accidentally move when out and about. Those on the Number 41 bus will doubtless prefer the ergonomic simplicity of, say, an Arcam rPAC or Cambridge Audio DacMagic XS, which are truly portable devices.
Hi-Fi News Staff  |  Dec 22, 2014  |  0 comments
Longstanding Slovakian tube specialist Canor is based in Prešov, in a purpose-built factory where it builds everything in-house and has developed a proprietary valve-testing and burn-in methodology. Valves that don’t measure up, we’re told, are returned to their makers for use in guitar amps and the like. The company traded for many years as Edgar until changing its brand name to Canor at the end of 2007. Its inaugural integrated tube amp, the TP101 was first shown in 1995 at an exhibition in Brno.
Hi-Fi News Staff  |  Dec 22, 2014  |  0 comments
Exposure Electronics was founded by John Farlowe in 1974 and has remained committed to two-channel music reproduction. The company is largely famous for its big blackpre/power amplifier combinations of the 1980s, when it sold to people who wanted punchy solid-state amps that sounded smoother and creamier than rival Naim products. Nowadays, the sound hasn’t changed much but the size has, and most of its wares are more affordable products such as this one – Exposure’s top integrated. The 3010S2 series comprises a CD player, mono and stereo power amps, a preamplifier and a phono amp.
Hi-Fi News Staff  |  Nov 18, 2014  |  0 comments
Germany’s T+A has spent the last couple of years developing a completely new range of all-solid-state electronics: its ‘HV Series’. Built into an all-aluminium case, the PA 3000 HV amplifier’s individual sub-assemblies are screened in separate chambers. An upper compartment houses the preamplifier and voltage amplifier stages, while the electronic control processor and circuitry for driving the display screen – fed by a separate power supply arrangement – sits in a recess machined out of the 40mm-thick aluminium front panel. A 10mm-thick dividing wall shields the top section from the left/right current amplifier stages and the unit’s massive power supply is in a lower compartment.
Hi-Fi News Staff  |  Nov 13, 2014  |  0 comments
The Editor’s review briefing included the warnings: ‘It’s 29kg – you may need help in unpacking it’ and ‘The S-550i is a remarkably dense amplifier, probably the most self-effacing yet monstrously powerful integrated we’ve ever tested. ’ This new flagship integrated, replaces the FBI while the S-300i remains as Krell’s entry-level integrated at £2795. The S-550i is a true ‘big brother’: the sonic resemblance is uncanny save for a brutal power delivery. While the front panel suggests minimalism, that’s only because all minor settings are relegated to a menu system, eg, balance setting and input trim, which can also be accessed by the full-function remote.
Hi-Fi News Staff  |  Nov 13, 2014  |  0 comments
Yes, those valves – made in-house – really are a foot tall! And they radiate substantial heat once the SXI has been powered up for a few minutes, but KR Audio’s amplifiers are beautifully engineered. The company is based in Prague, founded by electronics engineer the late Dr Ricardo Kron in 1992. It’s a boutique firm of only a dozen or so people – skilled artisans who blow the glass and hand-craft the tubes. Such is the transparency of KR Audio’s Kronzilla amplifiers that at least of couple of German recording studios use them in mastering suites.
Hi-Fi News Staff  |  Nov 13, 2014  |  0 comments
McIntosh’s original MC275 featured as an ‘Audio Milestone’ [HFN Dec ’10], but what’s reviewed here is the current production version of this most famous power amplifier. It’s the same as the 2011 Anniversary Edition but with stainless steel rather than a gold chassis. Its most spectacular outward feature, described in staid McIntosh tech-speak as ‘small tube illumination for amplifier status operation’, comprises LEDs indicating status or output tube failure. This is a part of a protection circuit system which will also shut the amp down if speaker wires are shorted or there is a gross impedance mismatch.

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