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In this era of DSP room correction systems, surprisingly few loudspeaker manufacturers seem to be looking at the issue of room interaction from the speaker design angle, trying to find ways to quell the room’s influence and thus, potentially, render DSP assistance redundant. Danish company Dali is an exception, although to look at the Helicon 400 Mk2 you could be forgiven for thinking that it is an entirely conventional direct-radiating floorstander. The giveaway, although its significance may not be immediately obvious, is the trademark Dali twin tweeter module which combines a 25mm soft-dome unit with a leaf supertweeter whose diaphragm is 10mm wide by 55mm high. Supertweeters are normally deployed these days to extend response out to low ultrasonic frequencies but the Dali supertweeter also has an important function within the audible range, where it takes over from the dome tweeter at 13kHz.

Americans have this phrase – probably politically incorrect – for those areas you never hear about. They call them the ‘flyover states’, a perfect description for anywhere that isn’t New York, California or Florida. Which is not to say that places like North Dakota, Idaho or Nebraska are totally without charm. They’re just not on everyone’s radar.

Just occasionally very creative people can pair two otherwise completely incongruous items and come up with something truly special. Take strawberries and cream: who would have thought mixing a ground fruit with the soured milk of a lactating mammal would sire an international tennis tournament and two weeks of eastern European girls running around in short skirts? Marvellous. But an SACD player with a traditionally video-centric HDMI connection? I’m not so sure. The reason is multichannel SACD audio and getting that data to an external DAC with almost zero jitter.

It’s no idle exaggeration to say that the Sondek LP12 has been a touchstone for record playback during the three decades-plus of its continuous production. And although Linn Products has earned its credentials as a progressive company by embracing new areas of business such as multiroom and AV electronics, and despite the low demand for record players compared to the heyday of the 1980s, the LP12 has stubbornly stayed in the catalogue. It’s a reminder of the company’s heritage but also surely a testament to the turntable’s abiding popularity, since Linn wouldn’t trouble itself to make something no-one would buy. Externally almost identical since 1973, many small changes have been made inside over the years in order to improve its sound, principally by tightening tolerances on metal components and substituting superior suspension pieces.