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While the usual rallying cry of a Hollywood producer is for any movie sequel to be ‘bigger and better’, Piega’s approach for the Gen2 iteration of its Premium 301 loudspeaker is to make it better while also making it smaller. And considering the original model, released in 2019, was itself described as a ‘compact loudspeaker with a baffle about the size of an A4 sheet’, this is perhaps something of an achievement.

In this era of all-in-one amplifiers and ‘crossover’ products, where even a tube amp might come to market with a built-in USB DAC, there’s something refreshing about Californian brand Pass Labs. Now approaching 35 years in business and named after founder and chief designer Nelson Pass (also the man behind Threshold in the 1970s), the company has long been known for its focus on frill-free, performance-first designs.

Whatever else can be said about Albarry Music’s amplifiers, they looked fantastic – products that proudly had their works on show, but done with consummate grace and restraint. The M408 was the first amplifier from Albarry, one of many boutique firms that sprang up in the early 1980s in reaction to the mass-produced ranges from Europe and Japan.

For a company that took three decades before introducing its first turntable, followed by a seven-year wait between the second and third models, SME seems now to be moving at a lightning pace. The flagship Model 60 arrived in 2022 [HFN Jul ’22], followed swiftly by Mk2 versions of the Models 12 and 15 over the next two years [HFN Jan ’23 and Jul ’24, respectively]. Now it has added two more turntables to its portfolio – the Model 8, replacing the Model 6 as SME’s entry-level unit, and the Model 35 seen here, slotting in below the Model 60.