Audiophile Vinyl

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Ken Kessler  |  Jul 25, 2019
This month we review: Bo Diddley, Big Brother & The Holding Co, Holly Cole Trio and The Shadows Of Knight
Ken Kessler  |  Jun 20, 2019
This month we review: Marvin Gaye, Gene Clark, The Remains, and Johnny 'Guitar' Watson
Ken Kessler  |  May 14, 2019
This month we review: The Beatles, The Band, Little Willie John, and The Kinks
Ken Kessler  |  Apr 03, 2019
This month we review: Simon And Garfunkel, The Police, Rolling Stones, & Twisted Sister
Ken Kessler  |  Mar 06, 2019
This month we review: King Solomon, Mel Henke, Sarah Mclachlan, & Matthew Sweet
Ken Kessler  |  Dec 01, 2018
This month we review: Doug MacLeod, Ruth Brown, The Minx Soundtrack, and Matthew Sweet
Ken Kessler  |  Nov 01, 2018
This month we review: Buffalo Springfield, Paul Rodgers, Ultimate Spinach, and Sonny Boy Williamson.
Ken Kessler  |  Oct 01, 2018
This month we review: Michael Nesmith, John Butler, Carmen McRae, and Nina Simone.
Ken Kessler  |  Sep 01, 2018
This month we review: Slim Harpo, Lynyrd Skynyrd, A Sea For Yourself, and The Rising Storm.
Ken Kessler  |  Dec 10, 2010
Christmas in July! Here, in glorious mono – but of course – is what many regard as the greatest rock ’n’ roll Christmas LP of all time: Phil Spector’s deliriously joyful showcase for his Philles Records stable of pop maestri, from 1963. You get the Ronettes, the Crystals, Darlene Love and Bob B Soxx and the Blue Jeans, backed by one of the finest assemblies of session players ever to enter a studio: the amazing Wrecking Crew, with Leon Russell, Jack Nitzsche and Sonny Bono in its ranks. The package offers 13 Christmas pop standards, and it’s unlikely you’ll ever hear a more uplifting take of ‘White Christmas’. The Wall of Sound rules, beyond prison walls.
Ken Kessler  |  Dec 10, 2010
Practitioners of Zydeco – the black, bluesy, more rocking cousin to swampy Cajun music – serve a select audience, for the genre rarely produces crossover hits. But if you get bitten by the bug, it’s irresistible. Major Handy is one of Zydeco’s younger, more active performers, born in the heart of the Louisiana region that gave birth to the sound, and a veteran who played with Rockin’ Dopsie. Chad Kassem’s crew has captured the swing and the feel of the genre, while showcasing an instrument that’s key to Zydeco but hardly an audiophile staple: the accordion.
Ken Kessler  |  Dec 10, 2010
Although most would credit Sly & the Family Stone or Funkadelic’s empire for inventing acid-dripping, hard funk, back in ’69, the super-smooth Temptations were getting spacey, too. Sharp suits metamorphosed into the kind of garb that Elvis Presley would copy for his Vegas era, and track times would extend beyond the AM-friendly norm of Motown. While fans may have been taken aback by the wicked title track, the Temps had already shown an experimental streak with ‘I Know I’m Losing You’. And we certainly owe thanks to this LP for the later ‘Psychedelic Shack’, and of course, the immortal ‘Papa Was A Rollin’ Stone’.
Ken Kessler  |  Dec 10, 2010
It simply doesn’t get any better than this if you’re a Motown addict. This LP from ’67 contains a half-dozen gems, eg, ‘Bernadette’, that are forever associated with the ’Tops, plus a couple of covers they made their own: ‘Walk Away Renee’ and ‘If I Were A Carpenter’. With 20/20 hindsight, considering that The Monkees have been reassessed and found not to be the infra dig swill that snobs once deemed them to be, we learn here just how appealing was the material they chose: the ’Tops cover two of their hits, turning ‘Last Train To Clarksville’ and ‘I’m A Believer’ into almost-credible Motown stompers. Reach Out is the quintessence of the group’s and the label’s sound.
Ken Kessler  |  Dec 10, 2010
There’s no end to the astonishingly good albums that the psychedelic era produced, which were overshadowed by the genre’s giants. Although Fever Tree’s origins are Texan, the group sounds like it could have been part of Boston’s ‘Bosstown’ sound or from New York’s artier element, with its heavy orchestration and baroque touches. And while their eponymous debut from ’68 features fascinating originals, like the hit ‘San Francisco Girls (Return of the Native)’, what’s more intriguing are interpretations of the Beatles’ ‘Day Tripper/We can Work it Out’ and Neil Young’s ‘Nowadays Clancy Can’t Even Sing’. Another great find for hard-up collectors from Sundazed.
Ken Kessler  |  Dec 10, 2010
Humble Pie embodies a genre yet to find a name, the division of ‘stadium rock’ that seemed to consist entirely of ex-pat British bands who did better in the USA than they ever could back home. Amusingly, as Smokin’ – their biggest-seller – shows, they were simply feeding back to America what Yanks rockers invented: southern-fried HM boogie, only now with an Essex twang. But when the line-up included ex-Small Faces frontman Steve Marriott, one of the best hard-rock vocalists ever, the results were miles away from the pedestrian. Marriott’s mod roots are evident, with covers of ‘Road Runner’ and ‘C’mon Everybody’, but elevated to a tougher, harder level.