J. Bamford (Music); P. Miller (Lab)

J. Bamford (Music); P. Miller (Lab)  |  May 01, 2014  |  0 comments
Young Dutch saxophonist Ben van Gelder’s 2012 debut album Frame Of Reference, published by his own BvG Music enterprise and released on vinyl as well as CD, is followed up by a fresh outing recorded in New York’s prestigious Sear Point Studios. Less contemplative than his auspicious debut and featuring pretty much the same line up of Craig Weinrib (drums), Peter Schlamb (vibraphone) and Rick Rosato (bass on all but two tracks), but with pianist Aaron Parks replaced by Sam Harris, van Gelder’s quintet once again exhibits a medley of styles, shifting from angular unisons to freewheelin’ blowing. It’s hard to believe they’re all in their 20s such is the maturity of their playing, van Gelder’s inventive compositions certainly belying his age. It’s a pity the sound isn’t more open and airy, the textures at times masked by the slightly cramped soundings.
J. Bamford (Music); P. Miller (Lab)  |  Apr 01, 2014  |  0 comments
This collection of chilled-out country/folk songs by the curiously-named June In The Fields duo of composer Jean-Michel Renaud (guitar/vocal) and singer Mélissa Brouillette hails from Canada’s Fidelio Musique audiophile label. Visit a hi-fi show in North America and you might bump into recording engineer René LaFlamme – who runs Fidelio Musique in Montreal – demonstrating his recordings promoted with the tag line: ‘We capture the feeling…’. This is an intimate set, the duo accompanied on tracks such as ‘Andaman Sea’ and ‘Summer Road’ by Sebastien Saliceti on double-bass to flesh out the sparse arrangements. The vocals in particular have been beautifully captured by LaFlamme’s all-tube mic and preamplifier set-up to produce a ‘charming’ sound that’s exceedingly cosy and seductive, if a tad lacking air and space.
J. Bamford (Music); P. Miller (Lab)  |  Apr 01, 2014  |  0 comments
Nigerian-German singer-songwriter Joy Olasunmibo Ogunmakin – stage name Ayo – has enjoyed considerable success in Europe since her 2007 debut album Joyful and its follow-up Gravity At Last, both produced by renowned American sound engineer Jay Newland. This is her fourth studio album, produced and mixed by Newland once again, containing both the original version of her 2013 single ‘Fire’ and its subsequent remix featuring Congolese-French rapper Youssoupha [see Lab Report]. As usual her songs cover a mix of styles from reggae and rap to the country-esque ‘Justice’ and the beautiful ballad ‘Fallin’’ that bears comparison with Joan Armatrading at her most heartfelt. Standout tracks such as ‘Teach Love’ and ‘Complain’ showcase the album’s superior recording quality, with the backing instruments separated across a believable soundstage.
J. Bamford (Music); P. Miller (Lab)  |  Apr 01, 2014  |  0 comments
Still in his 20s, acclaimed pianist Giovanni Guidi is regarded as one of the most original and inventive pianists on the Italian jazz scene. While he accompanied trumpeter Enrico Rava on his ECM albums Tribe and the live On The Dancefloor this is his first album for the label as a band leader, where his creatively daring improvisations are shared with American bassist Thomas Morgan and Portuguese drummer João Lobo. ‘The Forbidden Zone’ demonstrates Guidi’s talent for creating sublimely haunting atmospheres, its meditative melody achingly beautiful in its apparent simplicity. And ‘Just One More Time’, in which the bass and drums are given space to work out, highlights the recording’s splendidly natural feeling of musicians performing in a room.
J. Bamford (Music); P. Miller (Lab)  |  Mar 01, 2014  |  0 comments
It’s an unlikely pairing in anyone’s book: Billie Joe Armstrong, best known as the lead singer and guitarist of Californian punk band Green Day, teamed up with indie jazz/pop princess Norah Jones. Their Foreverly collaboration is a reinterpretation of Songs Our Daddy Taught Us, a 1958 Everly Brothers’ album of traditional country songs. Foreverly was released four weeks before Christmas: I doubt they ever imagined it might serve as something of a valedictory to Phil Everly, who sadly passed away on January 3rd at the age of 74. It’s a charmingly playful recreation of the Everly’s rootsy ballads famously characterised by closely entwined vocal harmonies, Jones’ honeyed and breathy vocal quality marrying surprisingly well with Armstrong’s more aggressive, nasal style.
J. Bamford (Music); P. Miller (Lab)  |  Mar 01, 2014  |  0 comments
96kHz/192kHz/24-bit AIFF/ALAC/FLAC/WAV, Chesky Records (supplied by www. hdtracks. com) David Chesky is committed to fostering music education in young children and composed The Zephrytine as a fantasy ballet. The booklet PDF includes the narrative – in which a young boy meets a magical creature and travels to a utopian world where people are of all colours and ice cream grows on trees – along with vibrant illustrations by artist Ângela Vieira.
J. Bamford (Music); P. Miller (Lab)  |  Feb 01, 2014  |  0 comments
Minneapolis-born keyboard player and composer Craig Taborn has worked with numerous musicians throughout his career, experimenting variously in electronic and acoustic settings. Chants sees him in a traditional acoustic jazz trio alongside bassist Thomas Morgan and drummer Gerald Cleaver, the group’s first album release despite having collaborated for many years. It’s a challenging listen, the intense and dynamic improvisational performances demanding attention throughout. The title track, the delightful ‘In Chant’, displays a disciplined minimalism redolent of the experimental Splashgirl trio of Sweden, the composition’s intriguing melody weaving hypnotic patterns that keep you tantalisingly on edge.
J. Bamford (Music); P. Miller (Lab)  |  Feb 01, 2014  |  0 comments
Steve Earle’s 15th release, featuring his cracking road band The Dukes (& Duchesses), was produced in collaboration with his ‘Twang Trust’ production partner Ray Kennedy. His fans couldn’t possibly be disappointed by the outcome, as the vitality and virtuosity of the band is abundant throughout the album’s 12 songs. Earle does what he always does best: tells world-weary stories that amuse, frustrate and infuriate in equal measure. It was recorded in one of the largest and most revered studio spaces in Nashville, the historic RCA Victor Nashville Sound Studios built in 1964 by Chet Atkins and acquired by Ben Folds (of Ben Folds Five fame) in 2003.
J. Bamford (Music); P. Miller (Lab)  |  Feb 01, 2014  |  0 comments
96KHZ/24-BIT ALAC/FLAC/WAV, Polydor Records 531 825-2 (supplied by www. hdtracks. com) Slowhand needs no introduction to rockers above a certain age, since it contains three of Clapton’s best-known signature songs: ‘Lay Down Sally’, ‘Wonderful Tonight’ and his perennial cover of JJ Cale’s ‘Cocaine’. Moreover the album’s other songs are far from just fillers.

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