Steve Harris

Steve Harris  |  Dec 01, 2018  |  0 comments
We have a hundred more record shops than we did in 2009, thanks to the efforts of those who run the stores and events like Record Store Day. But don’t celebrate just yet, warns Steve Harris
Steve Harris  |  Dec 01, 2018  |  Published: Feb 12, 2019  |  0 comments
Thinking about tweaking your valve amp by swapping out the tubes? Steve Harris has the inside track on the payoffs and pitfalls of tube rolling…
Steve Harris  |  Nov 01, 2018  |  0 comments
This month we review: Soft Machine, Bansangu Orchestra, Tony Kofi and The Organisation, and New York All-Stars.
Steve Harris  |  Oct 01, 2018  |  0 comments
This month we review: John Coltrane, Tony Kofi and The Organisation, Bansangu Orchestra, and Mark Kavuma.
Steve Harris  |  Sep 01, 2018  |  0 comments
This month we review: Stefano Bollani, Timo Lassy, Renee Rosnes, and Andreas Varady
Steve Harris  |  Sep 06, 2014  |  0 comments
Last Dance - ECM 378 0524 In 2007, when they hadn’t worked together for 30 years, pianist and bassist met during the making of a film about Haden, and Jarrett invited Haden to his home studio. They spent four days recording, and some of the results were heard on the 2010 album Jasmine. In this new collection, tunes include the jazz standards ‘Dance Of The Infidels’ by Bud Powell and Monk’s ‘’Round Midnight’ as well as ballads like ‘My Old Flame’. With a second album celebrating the same reunion, you’ll think that you’re in for more of the same, and it’s true.
Steve Harris  |  Dec 10, 2010  |  0 comments
Even given the prodigious talents and open-minded approach of the Hessischer Rundfunk orchestra, you’d think it would be impossible to arrange whole tracks from Miles Davis’ 1970s/80s electric music for big band. But that’s really not what heavy-metal guru turned film composer Colin Towns set out to do. Instead, he pulled out suitable themes and fragments and developed them for the band to work with, though you do hear more complete interpretations of ‘In A Silent Way’ and ‘Tutu’. And, against the expected backdrops of heavy rock beat, funky bass and period wah-wah guitar, he really gives the stellar HR soloists something to run with.
Steve Harris  |  Dec 10, 2010  |  0 comments
A Francophile who loves to sing in French, Stacey Kent had a big following across La Manche even before Breakfast On The Morning Tram helped her popularity explode in 2007. So why shouldn’t she do a whole French album? She chose songs associated with the greats of French pop from Moustaki and Misraki to Biolay and Barbara, most just as catchy as ‘La Venus Du Melo’, now also issued as a single. As before, pianist Graham Harvey on piano and guitarist John Parricelli join Kent’s sax-playing husband Jim Tomlinson to play his uncluttered, mood-enhancing arrangements. Hearing Parricelli and Tomlinson on ‘C’est Le Printemps’, they might as well be Byrd and Getz.
Steve Harris  |  Dec 10, 2010  |  0 comments
Few would claim that Duke’s 1960s Reprise albums contained his finest work, but four of them add up to lot of music. His great soloists wallow in the catchy melodies of Mary Poppins while Ellington ’65 and ’66 cover the hits of the day, sounding fresher now than the new takes of other leaders’ swing classics that make up Will The Big Bands Ever Come Back?. The fifth disc has Ellington’s tunes but not his whole band, on a 1963 small-group album for Atlantic with violinists Stephane Grappelly, Ray Nance and Svend Asmussen. Travelling the world and recording his own music on RCA, Ellington did so much in the 1960s that these recordings seem little more than a sidelight on his genius, but they’re still wonderful.
Steve Harris  |  Dec 10, 2010  |  0 comments
Clearly 2006 was a good year for the great accordionist. He’d just formed his brilliant Tangaria Quartet, and with mandolin player Hamilton De Holanda guesting, they wowed the audience at the Marciac jazz festival in August. September found the group in Sao Paulo and, again with stunning contributions from De Holanda, they recorded Luz Negra. It’s actually the contents of that album that you get here, plus ‘Tango Pour Claude’ and ‘New York Tango’, which opened and closed the Live In Marciac 2006 album.

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