Ken Kessler

Ken Kessler  |  Dec 06, 2010  |  0 comments
Originally released in 1968, this is a cornerstone of the Canterbury prog-rock scene. It benefits, however, from the presence of Kevin Ayers, who instilled upon the project a sense of whimsy absent in the band’s later, more serious and jazzy works. Yet even his sense of the absurd, and the inclusion of shorter numbers rather than epic slices of self-indulgence can’t disguise the fact that this is a definitively British underground/hippie/acid affair, despite being recorded in New York. What makes it of interest 40 years on is that it’s so easily digested – without the need to ingest psychedelics.
Ken Kessler  |  Dec 06, 2010  |  0 comments
If 1962’s Live In Paris was breathtaking, Sinatra At The Sands from ’66 defies categorisation. I mean, accompaniment by Count Basie and his Orchestra, conducted and arranged by Quincy Jones? And it was recorded at the Copa Room of the Sands Hotel and Casino in Las Vegas? If ever there was a Rat Pack-less souvenir of Sinatra at the top of his game, a primer in cool stagecraft, this LP takes the honours. All of his standard showstop tunes were delivered, up to and including ‘It Was A Very Good Year’. Add to that slick patter, ‘All Of Me’, plenty of the Basie band, ‘One For My Baby’, ‘I’ve Got You Under My Skin’ … there’s a reason why Ol’ Blues Eyes still remains the Boss.