A live album can be special, even if it’s not quite the complete concert you expect. This one takes four numbers cut in late 2004 at the Sunside club in Paris and artfully stirs in three 2009 tracks from London’s 606 Club. It was in ’87, after four years with Art Blakey, that an assignment at the Guildhall School brought Toussaint to the UK, and he never went back. His quartet here includes the distinctive British pianist Andrew McCormack, while guitarist Jerome Barde contributes nice solos to two of the Paris tracks.
Pianist and bassist hadn’t worked together since the end of Jarrett’s American Quartet in 1976, but after meeting in 2007 during the making of a film about Haden, they spent four days recording in Jarrett’s home studio. ‘It has a very dry sound and we didn’t want to have the recording sound like anything but what we were hearing while we played. So it is direct and straightforward,’ writes Jarrett. A far cry from the glossy, groomed perfection of so many ECM issues, it is intimate, immediate and communicative.
Last Dance - ECM 378 0524
In 2007, when they hadn’t worked together for 30 years, pianist and bassist met during the making of a film about Haden, and Jarrett invited Haden to his home studio. They spent four days recording, and some of the results were heard on the 2010 album Jasmine. In this new collection, tunes include the jazz standards ‘Dance Of The Infidels’ by Bud Powell and Monk’s ‘’Round Midnight’ as well as ballads like ‘My Old Flame’. With a second album celebrating the same reunion, you’ll think that you’re in for more of the same, and it’s true.
For his third ECM project as leader, the celebrated drummer put together a new group, but it’s a group of old friends. Bassist Pino Palladino is a collaborator of many years, while pianist Jason Rebello played with Katché in Sting’s band. Norwegian saxophonist Tore Brunberg, often sounding like a soft-focus Garbarek, is a long-term ECM labelmate. Guests are guitarist Jacob Young and trumpeter Kami Lyle, who adds lyrics to ‘Stay With You’ with her impossibly warbly yet captivating vocal.