Previously featured in our jazz reviews [here], Last Dance is now available as a 96kHz/24-bit download as well as CD. To recap, back in 2007 pianist Keith Jarret invited bassist Charlie Haden to his Cavelight Studio where they spent four days recording. They’d met up during the making of a film about Haden and these intimate sessions were their first collaborations for 30 years. The result was the 2010 album Jasmine, the ECM label issuing a further collection of tracks for this year’s Last Dance which features the duo’s delightful interpretations of standards such as Monk’s ‘’Round Midnight’ and Cole Porter’s ballad ‘Every Time We Say Goodbye’.
The 2CD set was released in February '14 while Kremer and his strings group were touring the States with music by Weinberg in their programmes. (ECM made the recordings at Lockenhaus and Neuhardenberg in Nov '12/Dec '13, the Sonatina for violin/piano at lower resolution, as noted on HRA’s web page. ) Music by the Polish composer – who went to Moscow but did not prosper – was admired by Shostakovich, and Kremer sees an affinity, especially in the 1968 symphony here, commissioned by Rudolf Barshai. This is a tough work, with brief respite found in (iii), Canzona.
For baby boomers the world over whose teenage years were spent living on a diet of what’s now termed ‘classic’ rock, Deep Purple’s Made In Japan represents one of the world’s most visceral and energetic rock bands captured at their pinnacle performance-wise. The 2LP set issued in 1972 contained tracks recorded across three nights in Tokyo and Osaka a few months after the band had released Machine Head. When the applause dies down following ‘Smoke On The Water’, singer Ian Gillan asks his engineer to adjust the foldback monitors to make ‘everything louder than everything else’. This remains one of rock’s immortal moments, as does the band’s virtuosity in this timeless memento.
Subtitled ‘The Sacred Polyphony of El Greco’s Toledo’ this 70m selection of a mass by Alonso Lobo and motets, etc, by various composers, celebrates devotional music associated with Toledo Cathedral, and links to the painter who came to the city in 1557. Ensemble Plus Ultra comprises a small consort of singers, formed in 2001, who specialise in early Spanish music: their 10CD Archiv set of sacred works by Victoria was a runaway success. The unaccompanied voices, close-set in a reverberant acoustic have a strong presence. The music, of course, is by no means ‘easy listening’ (surprisingly, it was a Classic FM mid-May album choice), although the ‘et incarnatus est’ section in the Lobo Credo is strikingly lovely.
If you’ve got a system capable of suspending disbelief and you’re a fan of the blues, recordings don’t come much better than this. Dim the lights, turn up the wick and you’ll swear bluesman Doug MacLeod is sitting at the end of your room. Reference Recordings’ technical director ‘Prof’ Keith O Johnson has been a darling of the US high-end scene for more than 30 years, renowned for his audiophile recordings. This was his first blues project.
Singing variously in English and French, Canadian-born jazz singer/composer Diana Ariadne Panton has an enchanting voice, To Brazil With Love being her fourth album, released in 2011. It’s a meticulously manicured collection of Brazilian-infused MOR material with which you might want to chill out late at night: a curiously eclectic mix including compositions from Panton, Antonio Carlos Jobim and Paul McCartney. Panton’s moving interpretation of ‘And I Love Her’ (here it’s ‘And I Love Him’, of course) is a notable highlight – if you’re not offended by classic Beatles numbers being sprinkled with a heavy helping of saccharine – featuring a delightful piano accompaniment by veteran multi-instrumentalist Don Thompson. This is a lovely, if artificially intimate recording with a sound balance that’ll sound great on any good hi-fi system.
This year marks the 20th anniversary of Pink Floyd’s The Division Bell, the band’s final studio album: released in March ’94. It was largely met with critical disdain at the time, although this didn’t prevent loyal Floyd followers hungry for anything new ensuring it went to the top of the album charts on both sides of the Atlantic. Whether you consider it a true Floyd work or, like 1987’s A Momentary Lapse of Reason, more a David Gilmour solo outing with contributions from Wright and Mason I’ll leave you to decide. Meanwhile this HD download sounds really lovely, albeit only marginally more open and expressive than the original CD.
Last Dance - ECM 378 0524
In 2007, when they hadn’t worked together for 30 years, pianist and bassist met during the making of a film about Haden, and Jarrett invited Haden to his home studio. They spent four days recording, and some of the results were heard on the 2010 album Jasmine. In this new collection, tunes include the jazz standards ‘Dance Of The Infidels’ by Bud Powell and Monk’s ‘’Round Midnight’ as well as ballads like ‘My Old Flame’. With a second album celebrating the same reunion, you’ll think that you’re in for more of the same, and it’s true.
This fourth album on the German label introduces a new drummer to the jazz trio: Per Oddvar Johansen, who replaces Knut Aalefjær after 13 years with classically-trained (Norwegian Music Academy) pianist Helge Lien and bassist Frode Berg. Recorded at RainbowStudio in Oslo, the ten tracks are all by Lien – whose cited influences are Bill Evans, Keith Jarrett and Brad Mehldau. Some of them I find a bit rambling, then suddenly it all makes sense. The last track, ‘Badger’s Lullaby’, is the most enjoyable with a final slowing into silence.
96kHz/24-bit FLAC, BIS-2028 (supplied by www. eclassical. com)
David Fanning sets out composer and public responses to these two complex and interrelated works from 1916/22 in a fine booklet note. These are symphonies I’ve struggled with over the years, in recordings by Jascha Horenstein, Neeme Järvi, Colin Davis, Leonard Bernstein, et al, and at last a superb new coupling where the conductor and his Stockholm orchestra hand me a key, opening the door at last.