New version of the V-DAC offers asynchronous USB and improved appearance. The V-DAC II replaces the company’s earlier V-DAC [HFN May ’09] and comes with a number of updates – as well as a £40 increase. Firstly, the new version replaces the black finish and quirky lettering of the V-DAC with brushed silver aluminium replete with more mature typography and inset grooves. The cigar-box-like dimensions remain the same and the casework feels solid and well made.
A sumptuous Italian pairing with sonics to match the exquisite looks
You have to hand it to Italian designers: they sure do know how to make a statement. These mightily imposing valve power amplifiers dubbed 845 Monoblock and accompanying PhL-5 preamplifier simply ooze luxury.
At £9995 per pair, the monoblock employs twin 845 tubes in parallel single-ended pure Class A mode, with two 6SN7 dual-triodes used as drivers and, as you might expect, zero negative feedback. The transformers are hand-wound with litz wire to avoid the use of solder and are ‘potted’ in a mix of resin and gravel to provide mass damping.
Impressive sound and considerable flexibility thanks to six digital inputs
With the 99 CDP-2, Quad took a full-function CD player, fitted its DAC with a selection of digital coaxial and Toslink optical inputs, and provided both fixed and variable outputs to enable the device to serve as a preamp. Aside from not featuring digital inputs such as balanced XLR, USB and others current and forgotten, the 99 CDP-2 and now the Elite CDP enable their owners to accommodate six extra digital sources.
The new player is essentially an update, with circuitry improvements and aesthetic changes like the better front panel illumination. It has the exact same dimensions, right down to the same indents in the top for stacking.
Swiss player combines SACD replay, digital inputs and sumptuous aesthetics to great effect
The new 540 SACD ‘Digital Player’, a snip by Soulution standards at £17,850, benefits from the trickle-down of technology from its flagship 745 model. Finish is sumptuous, and the curved edges of top panel and front fascia combine to soften the 540’s physical presence, making it disappear more than most big hi-fi boxes, leaving one to focus on a single rotary dial, a meagre trio of buttons and a slender disc drawer. Screw heads, heatsinks, logos, etc are absent.
Digital inputs include coaxial, optical and balanced connections which can all handle incoming data up to 192kHz/24-bit.
SACD capability and a clever variable output make the McIntosh a strong performer
The SACD won’t go away because enough of us realise that it sounds fabulous. It still has an important market in Japan, and supporters in unlikely places which keep the software flowing. McIntosh is one: as traditional a manufacturer as you can name, and not tempted towards controversy. Mac’s approach to SACD is almost matter-of-fact: it eschews 5.
The latest Evolution drops SACD to focus on CD
Krell’s first non-amplification component was the SBP 64X DAC. Twenty-two years on we have this high-end player, following on from the Evolution 505 but this time it doesn’t play SACDs. The two look pretty much the same: the front panel layout is virtually unchanged, although the transport drawer is replaced here by a disc loading slot. Above this is a bold, blue-lit dot matrix display.
The latest revisions to the big Norwegian increase its appeal
Electrocompaniet’s current Classic series looks forward as well as back, with products designed to be integrated into modern multichannel, multi-source systems.
The ECI 5 MK II integrated amplifier looks pretty much the same as the previous ECI 5 model, [HFN Oct ’09]. But there are major internal changes, although Electrocompaniet emphasises that all its amplifiers are still ‘made in the TIM-free school based on the principles laid down in the works of Dr Otala and Dr Jan Lohstroh’.
The changes in the new ECI 5 MK II seem to have been mainly intended to meet the demands of big modern speakers when driven to high levels with rock music.
Innovative when released, the Celestion is still capable of entertaining results
Launched at the Harrogate Hi-Fi Show in 1981, the Celestion SL6 looked different, and it was more different than it looked. In essence, its all-new drive units had been designed with the help of Celestion’s then-unique and revolutionary laser-based vibration analysis measurement system. It was the first British speaker to use a metal-dome tweeter, but the bass unit was equally innovative.
Arcam returns to DAC's with a diminutive but well implemented design with the added benefit of wireless.
Getting rid of all those computer cables can make wireless hi-fi seem like the next essential, especially if your life revolves around the laptop in your bag rather than a tower under the desk. Enter the Arcam rDAC, Wireless Version.
A well priced Italian design with an impressive USB implementation.
Among cost-conscious hi-fi enthusiasts, Italy’s North Star Design company has a reputation for making cutting-edge digital audio products that sport sensible price tags. Its latest Essensio DAC is a new entry model in its portfolio that undercuts the price of its existing £1420 USB dac32 by dispensing with balanced outputs and AES/EBU (XLR) digital input sockets. Also missing is the RJ45 socket for I2S interfacing with North Star’s £1750 Model 192 MkII CD transport.
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