Released at the very end of 1975, the band's fourth album saw them hoping to build upon their success as one of the decade's most successful pop acts. Yet the very clash of creativity that produced such hits as 'I'm Not In Love' would split the group in two
Since its release in 1976, 10cc's How Dare You! has been described variously as soft rock, art rock, glam rock and even progressive rock. But one neologism that hopefully will never catch on – yet it evokes the essence of both the group and this album in particular – is 'sophisti-pop'.
A prime example of why audiophiles should never dismiss the unassuming, TCI is the epitome of a no-nonsense cable company.
As the sovereign serpent in TCI's (True Colours Industries) longstanding range of loudspeaker cables, King Cobra is not new but it has 'evolved' since we last tested the Stereo version [HFN Jan '13]. Seen here is the 'Bi-Wire' version of King Cobra, ostensibly comprising a pair of the same conductor cores used in the Stereo iteration but with the two signal and two return paths combined at the source (amplifier) end. So this version of TCI's flagship cable supports bi-wiring but not bi-amping.
Like buses, you wait and wait for genuine LS3/5as and then two come along – now Rogers is back with a re-engineered version of the milestone, to our reviewer's delight
Throughout my hi-fi career, I have manifested three fixations: valves, Decca cartridges and BBC LS3/5as, all of which faced sell-by dates 40 years ago. My pessimism was unfounded. Valves have never been stronger, and London maintained the Deccas. But LS3/5as? Aside from occasional facsimiles using non-KEF drivers, the LS3/5a was history. Yet now we have two new proper LS3/5as, a rebirth I never anticipated.
The iconic visuals belie Musical Fidelity's recent change in ownership – so will this familiar M2 series CD/amp combination still tempt the budget-conscious enthusiast?
In these evolving days of digital music, cloud storage and online streaming, it might seem counter-intuitive for Musical Fidelity to release a line-only amplifier and 'plain vanilla' CD player. The £799 M2si integrated has no inbuilt DAC, no Bluetooth, no Wi-Fi and not even a phono stage, or indeed the option of one. And, peer round the rear of the matching £799 M2scd compact disc player, and the only connections you will find are outputs. Once again, it has no digital inputs, no antennae sticking out and no wireless wizardry up its sleeve. What's going on?
Composed when he was 34, this tone poem for large orchestra quotes from his earlier works and Beethoven's Eroica Symphony. Christopher Breunig looks at the recordings
Go back 60 years and look at the LP catalogue and you'll only find a single version of Richard Strauss's 1898 tone poem Op.40, Ein Heldenleben ['A Hero's Life'], with the Vienna Philharmonic, no less, under Clemens Krauss. He was a conductor largely associated with that composer [Decca 478 6493 has all his orchestral recordings and includes the opera Salome] as well as the 'other' Strausses.
We're a long way from the old idea of hairshirt hi-fi here: the latest heavyweight integrated amp from Krell's Connecticut factory comes fully-loaded – and then some!
You need to do some serious rethinking on first encountering the Krell K-300i. If you're expecting a simple device all about massive power and minimalism, you're going to be disappointed, but for those looking for an amp able to handle all the needs of the modern music listener, this one could just be bang on the money.
Tim Jarman tracks the trends in the current vintage hi-fi market...
Vintage hi-fi, like many collecting and preservation hobbies, is subject to the '30-year rule'. This states that today's top collectables are those products that were new about 30 years ago. The reasoning is that when you are young you covet certain items as objects of desire, yet lack the means to buy them. As life progresses, you (hopefully) become wealthier and look again at what it was that caught your imagination when young.
Mobile Fidelity, champion of audiophile vinyl, has succumbed to the lure of producing its own turntables, like record labels of the past: enter the MoFi UltraDeck
Back in the early days of audio, numerous record labels had electronics divisions, or vice versa. You would see the logos of EMI, Philips, RCA, Decca, JVC and others on both LPs sleeves and hardware. The logic was that they originated the material and could also control the entire chain, from artist to listener. So, who better to introduce its own turntables than Mobile Fidelity, for decades the most prolific source of audiophile LPs? Now you can spin its platters on, well, its platters.
The Chinese company claims a decade of planar driver technology development with these robust mid-priced open-backed 'phones – are they a cause for celebration?
With HiFiMan's UK distribution now switching to Signature Systems, we are at last able to get our hands on this idiosyncratic range of headphones from China. What makes them idiosyncratic is not merely their use of planar magnetic (aka isodynamic) drive units – something which is becoming increasingly mainstream – but that these drivers are reminiscent of isodynamic units of the past in respect of their low sensitivity.
Martin Colloms | Aug 30, 2019 | First Published: Mar 01, 1984
A year after the launch of CD, Martin Colloms looks at the progress made by player manufacturers before reviewing the new generation of machines
This issue marks the first anniversary of CD's UK launch, the Philips CD100 appearing on these shores in March 1983. There has been some comment in the press concerning a 'second generation' of CD players and this appears to be the case for some manufacturers.