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Johnny Black  |  Dec 07, 2010
Amiina was formerly an all-woman Icelandic string quartet working with minimalist popsters Sigur Ros. Now, with the addition of a couple of blokes, they’ve become a sextet and this is their second rather exquisite album. Nothing here will slap you in the face and demand that you listen to it. Instead, Amiina offer the most delicate and fragile of little melodies, hypnotically repeated, ebbing and flowing, occasionally augmented with gentle vocals.
Johnny Black  |  Dec 07, 2010
Infinite Music is 2010’s most effervescently upbeat album by miles. This ultra-smart Brooklyn-based duo, Robert and David Perlick-Molinari, are good mates with MGMT but their music is streets ahead. In some ways, they’re the band that Vince of The Mighty Boosh probably dreams of forming, rich in layers of irony and cynicism, but at the same time impossibly danceable, and overflowing with singalong vocal hooks. ‘Broken Heart’ should be a gigantic hit just for its 150% feelgood factor; ‘New Florida’ is the greatest Yellow Magic Orchestra track that YMO never made; and ‘This Moment’ is Kool And The Gang impossibly pumped up by Giorgio Moroder.
Johnny Black  |  Dec 07, 2010
Sharon plays her folksy fiddle very nicely, and delivers deliciously silky harmonies with her family business. Unfortunately, left to her own devices for her first solo album, she has delivered a handful of gems wrapped in acres of pastel-coloured tissue to fill the empty space. There are three pleasant enough swoony Celtic instrumentals, and at the end of the disc three fairly memorable songs that feel like a consolation prize for having waded through all the foregoing mediocrity. The powerful closer, ‘Love Me Better’, has a touch of gutsiness that suggests a direction she could usefully pursue if she has any ambitions beyond lulling her listeners to sleep.