Jazz

You might not think of chamber music as ‘for the masses,’ as the PR blurb has it, but then, the brilliant bassist’s reference point is the Chamber Music Society of Oregon, the community orchestra that she joined as a five-year-old violin prodigy. Her Heads Up debut Esperanza traversed many genres, but this one brings classical sounds to the mix, with a string trio including supreme session cellist David Eggar, weaving music of rich complexity. Spalding’s vocal flights can seem too indulgent, though she’s helped out on two numbers by the ever-fascinating Gretchen Parlato and on one by a weary-sounding Milton Nascimento. But still, a fresh, inspiring album.