Opinion

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Steve Harris  |  Apr 16, 2025  |  First Published: Mar 01, 2025
Steve Harris looks at the legacy of NXT’s flatpanel speaker, which once promised to revolutionise audio replay. Did you realise the technology is now more widely available than ever before?
Barry Fox  |  Apr 01, 2025  |  First Published: Feb 01, 2025

There are often affordable solutions to tech problems, says Barry Fox, whether that’s a cable failure or a stuttering home network. You might even want to write your own ‘Idiot’s Guide’

Barry Willis  |  Apr 01, 2025  |  First Published: Feb 01, 2025

Following a flying visit to an audiophile friend’s listening room, Barry Willis believes Gallium Nitride (GaN) power transistors could be just what the amplifier world has been looking for

Jim Lesurf  |  Apr 01, 2025  |  First Published: Feb 01, 2025
As DAB proliferates, has the era of high-quality FM tuners come to an end? Jim Lesurf believes modern technologies could be used to put the sparkle back into analogue radio
Peter Quantrill  |  Apr 01, 2025  |  First Published: Feb 01, 2025
Peter Quantrill finds reasons to be cheerful in the proliferation of young-musician ensembles based on more flexible models of organisation – but can traditional venues follow suit?
Steve Harris  |  Apr 01, 2025  |  First Published: Feb 01, 2025
You’ve made homebrew cassette recordings and burned music files to CD, but what about cutting your own vinyl? Steve Harris looks at the options available from low-fi to hi-fi
Barry Fox  |  Mar 13, 2025  |  First Published: Jan 01, 2025
For music lovers entering the world of home networking, Barry Fox delves into its many acronyms and foibles, before singing the praises of Amazon’s affordable Fire TV Stick
Barry Willis  |  Mar 13, 2025  |  First Published: Jan 01, 2025
Can a good hi-fi demo count as art? Barry Willis discovered the crowd-pleasing nature of high-quality music reproduction – and some ‘interesting’ systems – at San Francisco’s MOMA
Jim Lesurf  |  Mar 13, 2025  |  First Published: Jan 01, 2025
Jim Lesurf admires the technology used to finish off the long-lost John Lennon ballad ‘Now And Then’, but believes Artificial Intelligence brings with it problems as well as solutions
Peter Quantrill  |  Mar 13, 2025  |  First Published: Jan 01, 2025
A pair of prestigious piano competition finals has Peter Quantrill wondering if particular pieces and composers are best left on the shelf, waiting for a musician’s life to catch up with their ability
Steve Harris  |  Mar 13, 2025  |  First Published: Jan 01, 2025
Steve Harris has been thrilled by the Radio 3 revival of the BBC’s venerable Friday Night Is Music Night programme – as will anyone with a love of light music, show tunes and pre-’60s pop
Barry Fox  |  Mar 04, 2025  |  First Published: Dec 01, 2024
Changes in viewing and listening habits mean over-the-air radio and TV is being pushed aside by Internet delivery – and the UK’s public service broadcasters are leading the way, says Barry Fox

We need to talk about Freely. Why? Because it’s a clear pointer to the future of radio. Broadcasters are already planning for a time when TV and radio are delivered as an IP Internet stream and not a linear over-the-air transmission. Hence the BBC’s huge investment in its iPlayer and Sounds streaming services.

Barry Willis  |  Mar 04, 2025  |  First Published: Dec 01, 2024
Streaming services have already turned the music industry upside down – now AI content threatens to do the same. Barry Willis talks dystopian technology with producer Rick Clark

It’s a safe bet that most HFN readers are not merely gearheads, but music lovers too. So you might have wondered how economic decisions affect the lives of the artists on whom we depend, aesthetically and emotionally. Back in the days of physical media, musicians launched tours in support of new releases. Tickets were affordable because profits were primarily derived from sales of records. Beginning with Napster, and especially since the advent of streaming, that business model is dead. Recordings today are basically given away as promotional items to sell concert tickets, whose prices have skyrocketed.

Jim Lesurf  |  Mar 04, 2025  |  First Published: Dec 01, 2024
When Jim Lesurf bought his turntable in the 1970s he didn’t expect to still be using it some 50 years later – proof that lasting enjoyment should be considered when judging the ‘cost’ of hi-fi

I was particularly interested to read the recent review of the Technics SL-1200GR2 [HFN Sep ’24]. This is because for a very long time I’ve owned and been happily using a much earlier example of the direct-drive breed. I can’t now recall exactly when I bought it, but I’ve had a Panasonic/Technics SL-1500 turntable and arm with a Shure V15 series cartridge since about 1973. And it has continued to deliver good performance for about half a century!

The main sign of the SL-1500’s age after so many decades of use is that the small rotary potentiometer, which tweaks the rotation speed, has developed a ‘burn spot’ just at the place that sets 33.33rpm. This means that, nowadays, I have to let the deck run for about a quarter of an hour before use and then check if the speed has settled down correctly, or needs a slight tweak.

Peter Quantrill  |  Mar 04, 2025  |  First Published: Dec 01, 2024
What do conductors do, and how do they do it? Peter Quantrill says two recent memoirs lift the veil on the supposed mysticism of a very practical profession, from contrasting perspectives

There is a nice irony to the fact that the most silent musicians of all are required to be the best with words. Orchestras may like the conductors who speak the least, but explanation, correction and encouragement can’t entirely be done at the tip of a baton. Meanwhile, the public is perennially fascinated by the power dynamic at play when a single figure seems to conjure unity from the talents of a hundred individuals.

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