From '60s solo artist to Phil Spector's right-hand man, this US-born 'influencer' not only produced superstars such as Neil Young and The Stones, but wrote a string of soundtracks nominated for Academy Awards. Steve Sutherland on Jack Nitzsche
There's a particular species of character that, although essential, has been mighty ill-served by pop historians. It's tough to pin down exactly what role these personalities play in the creation of popular music. What they actually do. And so it's hard to know what we should call them.
Pinball wizard Steve Sutherland looks back on meeting Her Madge in the early '80s and her career-altering controversial third album, now released on 180g vinyl
She looks a bit lost, standing alone backstage leaning against the wall, watching all the celebrities mingle, clink glasses, air kiss and gossip. Lost and a little bored. Same as me, to be honest. So I cross the room and say 'hi'. She says 'hi' back. To break the ice, I point to the pinball machine, unoccupied, just over there, and ask if she fancies a game. She smiles again. 'Sure.' And away we go at it. As I remember, I won, although I'm sure – if she recalled it at all – she'd disagree.
From Nico's ethereal Teutonic tones to the snarl of The Stooges and funky acid rock of The Happy Mondays, this British born musician has produced many of the albums now regarded as turning points in the history of pop music. Steve Sutherland on John Cale
See that jittery bloke over there, the one who appears to be severely chemically imbalanced, the one shouting his head off waving around the half-drunk bottle of Stolichnaya? He's the boss. He's in charge. He's the producer. He's John Cale.
It was a release that had all the pundits scratching their heads for how best to describe it. Steve Sutherland sits transfixed like Alice in Wonderland by this 180g reissue
Let's get this party started with the tree surgeon. Yup, the tree surgeon. To be strictly accurate, $250's worth of tree surgeon because that's how much Don Van Vliet charged Straight, his record company, for the services of an arboriculturalist's services during the recording of the album we're here to celebrate.
He's a maker of massive hits, a man who has worked with global pop superstars such as Lana Del Rey and Taylor Swift. And yet this US-born producer is happiest when honing his craft in a small studio he's built inside his house. Steve Sutherland on Jack Antonoff
When the Californian singer Kesha recently sought through the courts to escape her contract with producer Dr Luke, claiming harassment, abuse, violence and emotional distress among many other allegations, she lost her case, but many prominent figures within the music industry offered moral support. Taylor Swift donated $250,000 to her cause, Adele spoke up for her while receiving an award at the Brits, while Lady Gaga, Iggy Azalea, Lily Allen, Lorde, Haim, Miley Cyrus and Ariana Grande were among those who took to social media to express their backing and their disgust.
He just couldn't cope, says Steve Sutherland as he counts out the 'aha's and listens to the recent 180g reissue of the Liverpool band's post-punk debut LP
Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha…'
The sad story of Donny Hathaway's demise is told by Steve Sutherland as he listens to the acclaimed 1972 Atlantic album, recently reissued on 180g vinyl
Did he jump? Did he fall by accident? This we will never know. What's for sure is that late in the evening of the 13th of January 1979 Donny Hathaway's body was found on the sidewalk outside the 44-storey art deco Essex House Hotel at 160 Central Park South in Manhattan, NYC. He had plunged there from his room on the 15th floor. His death was ruled as suicide.
From The Allman Brothers to Aretha Franklin, this US-born producer helped create much of the greatest music being made as the '50s segued into the '60s. And he happens to be a dab hand with a soldering iron too. Steve Sutherland celebrates Tom Dowd
'I had no finished songs, no real concept or idea of where I was going, nothing but an abstract burning passion for live, spontaneous music. On top of everything else, I refused to make the record under my own name, and was developing a powerful drink and drug problem – not a great position for any record producer to be placed in, but [he] pulled it off.
In 2003, this US-born producer had a hand in almost a fifth of the songs played on British radio. Then he really got started, applying his prodigious talent to pop in a way that would change it forever. Steve Sutherland on the phenomenal Pharrell Williams
It's June 2019 and Pharrell Williams is standing in front of 114 students about to graduate from the Harlem Children's Zone Promise Academies I and II. It's an inner-city school for underprivileged kids, and he's guaranteeing each and every one of them an internship at one of his many enterprises to give them work experience and get their careers up and running.
A blend of beauty and violence... Steve Sutherland sets out the claims for this late British folk singer/songwriter's 1973 LP as he hears the album afresh on 180g vinyl
Two men walk into a bar… Ouch! No, not that one. Start again. OK, two men walk into a pub and head straight to the bar. The taller of the two smiles and says to the barmaid, 'We'd like to see the landlord'. She calls her boss over and he looks the pair up and down. They're dishevelled, a bit rough-looking, like they haven't slept or washed in a while, but hey, he's seen worse.
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