Audiophile Vinyl

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Ken Kessler  |  Nov 30, 2020
This month we review: Aretha Franklin, Count Basie, The Doll Squad and Whitesnake.
Ken Kessler  |  Nov 30, 2021
This month we review: Paul Simon, William Bell, Jim Messina & His Jesters and Suitcase Sam.
Ken Kessler  |  Nov 29, 2022
This month we review: Eric Clapton, Ry Cooder, The Jazz Passengers and Richard Thompson.
Ken Kessler  |  Nov 29, 2023
This month we review: Tito Puente And His Latin Ensemble, Elvis Presley, The No Ones and Nina Simone.
Ken Kessler  |  Dec 23, 2019
This month we review: The Wonderful Sounds Of Female Vocals, The Rolling Stones, Trio Palabras and Ingram Washington.
Ken Kessler  |  Oct 29, 2020
This month we review: B B King & Eric Clapton, Dire Straits, Idris Muhammad and Carly Simon.
Ken Kessler  |  Oct 29, 2021
This month we review: Annette Peacock, Brother Jack Mcduff, Madness and Whitesnake.
Ken Kessler  |  Oct 31, 2022
This month we review: Mose Allison, Ornette Coleman, Electric Light Orchestra and Madness.
Ken Kessler  |  Oct 31, 2023
This month we review: John Lee Hooker, The Doobie Brothers, The Id and The Undertones.
Ken Kessler  |  Nov 20, 2019
This month we review: Jennifer Warnes, Lightnin' Hopkins, Stacey Kent and Curtis Mayfield.
Ken Kessler  |  Sep 28, 2020
This month we review: Al Di Meola, Fred Neil, James Taylor and Twisted Sister.
Ken Kessler  |  Sep 28, 2021
This month we review: Blood, Sweat & Tears, Crosby, Stills, Nash & Young, Fleetwood Mac and Bobby Womack.
Ken Kessler  |  Sep 27, 2022
This month we review: Carole King, Andy Bey, Jamiroquai and John McLaughlin.
Ken Kessler  |  Sep 29, 2023
This month we review: Paul Simon, Gaillard, Jazzbeaux, Mantilla & Allen, Pleasure and Johnny Winter.
Ken Kessler  |  Dec 06, 2010
As eerie a song as has ever topped the charts, the surprise success of ‘Ode To Billie Joe’ ensured that Gentry’s 1967 debut LPwould also reach No 1. In retrospect, this is a seminal release helping to create the break between traditional, Opry-style country warblers, the gutsy, bluesy component turning this into, sort of, a distaff effort at the outlaw approach, with Gentry eschewing the beehive, pointy-bra’d, down-trodden angst of most of her contemporaries. As Gentry faded from the public a mere five or so years afterwards, working only sporadically, this reissue is a reminder of how much she helped to empower today’s country songbirds. Sound Quality: 88% .

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